Selected Work
Complete credits on IMDbAbout
A 13 year industry veteran, Jason has worked on a range of projects spanning all budgets and genres from intimate family portraits such as Mike Mills' Academy Award nominated film 20th Century Women, to the high concept science fiction world James Grey's Academy Award nominated Ad Astra. He has also worked on a range of Emmy nominated television productions such as HBO’s In Treatment and Hulu's Under the Bridge. Most recently Jason served as the VFX Editor on the highest viewed network television series, Tracker.
Jason works to bring a critical lens to each project in order to help find its voice and meaning.
A 13 year industry veteran, Jason has worked on a range of projects spanning all budgets and genres from intimate family portraits such as Mike Mills' Academy Award nominated film 20th Century Women, to the high concept science fiction world James Grey's Academy Award nominated Ad Astra. He has also worked on a range of Emmy nominated television productions such as HBO’s In Treatment and Hulu's Under the Bridge. Most recently Jason served as the VFX Editor on the highest viewed network television series, Tracker.
Jason works to bring a critical lens to each project in order to help find its voice and meaning. He also especially enjoys the collaborative aspects of the editorial process and believes this is where the filmmaking process is most alive. In order to meet the high speed and high pressure demands of the industry he believes in keeping up with today’s best practices and technologies in order to deliver helpful and efficient workflows in order to better focus on each project’s creative vision.
Jason began his career in the film industry in Los Angeles after completing his Master's Degree in Critical Film Studies at the University of Southern California. He eventually traded in the sun filled world of Hollywood for the picturesque mountains of Vancouver B.C. where he lives with his wife and two cats.
Process
“I feel like collaboration is one of the most important aspects in terms of what makes or breaks a project in the edit suite. This involves working both up and down the ladder so to speak as you never know where that helpful insight or perspective will emerge. You never know if it is a producer, or the post PA who might just have a valuable insight or bring along a new perspective that could be the key to helping land an especially difficult section or highlight a missing emotional beat. Additionally, helping to cultivate this collaborative environment keeps everyone in the chain deeply invested in the project which strengthens all aspect of the film/show.”