Justin Li portrait

Editor

Justin Li is an award-winning, Vancouver-based film and television editor whose precise, story-first approach spans every genre, shaping high-profile projects—including Heretic (2024), Under the Bridge (2024), and Apple TV+'s Silo (2025)—with clarity, rhythm, and emotional impact.

Representation

Brian Goldberg (Television) & Erin Searcy (Features) · Worldwide Production Agency

Languages

English

Representative contact

Show details

Justin Li Worldwide Production Agency Los Angeles, CA 310.659.9965 Agents: Brian Goldberg (Television), Erin Searcy (Features)

Contact

Personal links

Selected Work

  1. Silo

    Latest

    Editor

    Apple TV

    2025

  2. Heretic

    Editor

    A24 Films

    2024

  3. Under the Bridge

    Editor

    Hulu/ABC

    2024

Awards

  • Leo Award

    Best Picture Editing in a Motion Picture · Heretic

    Winner

    2025

  • CCE Award

    Best Editing in Feature Film · Heretic

    Winner

    2025

  • CCE Award

    Best Editing in TV Comedy · Lucky Hank

    Winner

    2024

  • CCE Award

    Best Editing in Family, Television Movie or Series · The Healing Powers of Dude

    Winner

    2021

  • Leo Award

    Best Picture Editing in a Motion Picture · Can I Get a Witness

    Nominee

    2025

  • CCE Award

    Best Editing in Television Movie or Mini-Series · Thai Cave Rescue

    Nominee

    2023

About

Justin Li is a Vancouver-based film and television editor known for his collaborative spirit and genre fluency. He brings a precise, story-first approach to shaping narratives across drama, thriller, comedy, and horror. His work on high-profile productions—including Heretic (2024), Under the Bridge (2024), and Apple TV+’s Silo (2025)—has earned industry recognition for its clarity, rhythm, and emotional impact.

Justin believes deeply in the power of editing to reveal “the why of what we are,” with a belief that great art comes from unifying the work of many into a singular, human-centered vision. Whether shaping narrative tension or balancing performance and pacing, his editorial voice is both precise and purpose-driven, helping elevate story and character with every frame.

Process

What happens in the edit suite that makes or breaks a story?
“Openness and discourse. The edit suite has to be a safe space for every idea to be explored and tested — no idea too sacred, none too strange. Collaboration and the free flow of ideas are essential to refining and extracting the truest version of the story. Even a path that doesn't pay off tells you something: now you know what doesn't work, and you've narrowed the search. The moment a room closes off, so does the creativity in it.”
What’s your philosophy when the footage tells a different story than the script?
“The editing room is the final writers room on a film. We're there to shape the footage into the best possible story. Free yourself of any preconceived notions you carried in from that first script read, and trust the work of the crew and craftspeople who've since shaped what's in front of you. Find the story already living in what your team built — and make it sing.”