Justin Li

Justin Li is an award-winning, Vancouver-based film and television editor whose precise, story-first approach spans every genre, shaping high-profile projects—including Heretic (2024), Under the Bridge (2024), and Apple TV+'s Silo (2025)—with clarity, rhythm, and emotional impact.
Selected Work
Selected Credits
Complete credits on IMDbSilo
LatestEditor
Apple TV
2025
Heretic
Editor
A24 Films
2024
Under the Bridge
Editor
Hulu/ABC
2024
Awards
Leo Award
Best Picture Editing in a Motion Picture · Heretic
Winner
2025
CCE Award
Best Editing in Feature Film · Heretic
Winner
2025
CCE Award
Best Editing in TV Comedy · Lucky Hank
Winner
2024
CCE Award
Best Editing in Family, Television Movie or Series · The Healing Powers of Dude
Winner
2021
Leo Award
Best Picture Editing in a Motion Picture · Can I Get a Witness
Nominee
2025
CCE Award
Best Editing in Television Movie or Mini-Series · Thai Cave Rescue
Nominee
2023
About
Justin Li is a Vancouver-based film and television editor known for his collaborative spirit and genre fluency. He brings a precise, story-first approach to shaping narratives across drama, thriller, comedy, and horror. His work on high-profile productions—including Heretic (2024), Under the Bridge (2024), and Apple TV+’s Silo (2025)—has earned industry recognition for its clarity, rhythm, and emotional impact.
Justin believes deeply in the power of editing to reveal “the why of what we are,” with a belief that great art comes from unifying the work of many into a singular, human-centered vision. Whether shaping narrative tension or balancing performance and pacing, his editorial voice is both precise and purpose-driven, helping elevate story and character with every frame.
Process
“Openness and discourse. The edit suite has to be a safe space for every idea to be explored and tested — no idea too sacred, none too strange. Collaboration and the free flow of ideas are essential to refining and extracting the truest version of the story. Even a path that doesn't pay off tells you something: now you know what doesn't work, and you've narrowed the search. The moment a room closes off, so does the creativity in it.”
“The editing room is the final writers room on a film. We're there to shape the footage into the best possible story. Free yourself of any preconceived notions you carried in from that first script read, and trust the work of the crew and craftspeople who've since shaped what's in front of you. Find the story already living in what your team built — and make it sing.”