Trevor Mirosh portrait

Editor

Trevor loves making the impossible made believable and the fictional made to feel real.

Direct contact

mindtoolfilm@gmail.com

Languages

English

Contact

Personal links

Selected Work

  1. Air Force One Down

    Latest

    Editor

    Paramount

    2024

  2. The Painter

    Editor

    Paramount

    2024

  3. The Ravine

    Editor

    Cineverse

    2022

  4. Circuit Breakers

    Editor

    Apple _

    2022

  5. Vendetta

    Editor

    Redbox

    2022

Awards

  • Leo Award

    Best Editing · The Ravine

    Nominee

    2021

  • Festival Recognition

    Best Editing, Best Short, Best Horror Film · Exhibit Man

    Nominee

  • Hollywood Dreamz International

    Best Editing · 5 Minute Rush

    Winner

    2018

  • Action on Film International

    Best Editing · 5 Minute Rush

    Winner

    2018

About

Trevor Mirosh is a Canadian born picture editor specializing in action and thriller films. He has been creatively influenced by Thelma Schoonmaker’s editing style in films like “Raging Bull” and “The Departed”. He also has a fetish for monster in the house films from watching “Jaws” and Jordan Peele/Guillermo del Toro films. Trevor had an auspicious start to his editing career being mentored by long time film editor Dede Allen who was known for films such as Bonnie and Clyde, Dog day afternoon, The Breakfast club. Whatever the project, Trevor relishes his role in shaping the final version. When not editing Trevor enjoy's playing golf, hockey and being with his wife and two young daughters.

Process

What happens in the edit suite that makes or breaks a story?
“Crafting the right performance, tone and pacing can make or break a story. All three need to work together in order for the story to be heard and seen as intended.”
What’s your philosophy when the footage tells a different story than the script?
“The footage always leads the path to the authenticity of the story. Listen to what the footage is telling you and anchor shots so you can begin to build the director's landscape.”

Press & Media